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Study Guide
Aeschylus, The Libation Bearers

Libations are sacrifices poured out (wine, blood, in Orestes's case hair) to some superhuman power. The power in question here is the dead, namely Agamemnon. He rages in hell, haunts Clytemnestra with nightmares. Electra has been sent to appease her father on behalf of her mother. Electra is attended by a chorus of women, Trojans enslaved by the Myceneans and hence with an agenda of their own.

  1. The chorus: what role do they play? what is their point of view?
  2. Discuss the principle of justice, as expressed by the Chorus.
  3. What is a virtuous woman, according to the Chorus?  Why do the Chorus hate Clytemnestra, especially when, as slaves,  they could see her as their avenger?
  4. Explain the points of view in the face-to-face confrontation between Orestes and Clytemnestra.
  5. The Chorus really believes that Orestes's murder of Clytemnestra will restore balance to the House of Atreus and will drive away the Furies (l. 957, 960); and that a cure to the curse must come from within that house itself (l. 457-60); and that Apollo wills it (l. 944).  Contrast this point of view with the guilt Orestes feels (l. 990).  Did Orestes conjure up the Furies himself?

Some highlights in the text:

Scene I      
Chorus song I 26-82 Clytemnestra racked with guilt; not only Agamemnon but all the dead of Troy cry out.
Electra prayer I 127-156 avenge.
Chorus song II 157-167 avenge!
  prayer II 248-491 Duet with Orestes: avenge!!
Chorus song III 312-321 avenge!!! (principle of talio)
    500-521 Clytemnestra's dream
Intermezzo song IV 571-633 murderous women; virtue; justice and fury
Scene II      
Chorus song V 774-823
841-856
922-963
prayer for justice and resolve
death song
song of justice
    879 Orestes confronts Clytemnestra; hesitates; destiny vs. justice; two curses
Orestes   964 victory
    990 guilt
    1047 enter the Furies
Chorus song VI 1064-77 three atrocities

 

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